UV Resistant Eco Solvent Ink Yellow 1000ml Oil Based Ink For Inkjet Printer

Basic Properties

Place of Origin: China

Brand Name: 7CH

Trading Properties

Minimum Order Quantity: 100 L

Payment Terms: L/C,D/P,T/T,Western Union

Printer Ink

Specifications

Product Name:	Epson-Specific 1000ML Oil-Based Mild Solvent Ink \| High Adhesion, UV Resistant, Anti-Clogging Formula"	Applicable Printheads:	EPSON Mimaki JV3/JV5/Roland SJ-740EX SJ-745EX SJ-640EX SJ-540EX SC-540EX/Roland RS540/640,ECO-SOL MAX ESL3/XP600/DX5/DX7/5113/4720/I3200(Solvent-based Micro Piezo Printhead)
Color:	Y	Ink Capacity:	1000 Ml/bottle
Packing:	Neutral Packing And Support Customer Private Customizatio	Payment Terms:	L/C,,D/P,T/T,Western Union,Paypal,Credit Card
High Light:	eco solvent ink yellow , 1000ml oil based ink for inkjet printer , uv resistant eco solvent ink

Product Description

1 Litre High-Brightness Yellow Ink For Epson – UV Resistant For Outdoor Durability

Features

Yellow ink plays a foundational role in the CMYK color system, and this mild-solvent yellow ink, specifically tuned for Epson printers, is designed to provide a clean, high-brightness starting point for the entire image. It uses highly stable yellow pigments to ensure that, when overprinted with the other three colors—cyan, magenta, and black—it produces vivid, full-bodied greens and lively, natural oranges.

For outdoor applications, the ink’s UV resistance has been enhanced to slow the fading and whitening that yellow areas are prone to under sunlight, helping advertising graphics maintain long-term brightness and visual impact. In practical printing, its smooth-flow formulation also contributes to clean skin-tone transitions and bright, even color gradients.

Print Media

Preferred Media: The Foundation for Optimal Yellow Performance

Standard media such as vehicle wrap vinyl, lightbox fabric, and mild-solvent coated self-adhesive PP remain reliable partners for yellow ink. On these materials, yellow can achieve good brightness and saturation. Especially for graphics that require bright green blends (such as forests or grasslands), choosing high-quality lightbox fabric or vehicle wrap with a uniform coating ensures even overprinting of cyan (C) and yellow (Y), preventing blotchy or uneven green tones.

Media Requiring Special Attention: Focus on Yellow Color Rendering

On pure white or high-brightness white media, yellow appears most accurate and vibrant. However, if the substrate has a slightly yellowish or off-white base tone, the printed yellow may visually “blend” into the background and appear less prominent. Therefore, when producing designs dominated by yellow, selecting a whiter base material can significantly enhance the final result. In addition, printing yellow on transparent or semi-transparent films creates a warm, backlit effect suitable for window displays, although drying time may be slightly longer.

Testing Is Essential: Adhesion and Final Color Accuracy

As with all mild-solvent inks, sample testing is an essential step before using any media in full production. There are two key aspects to test: first, adhesion—after the ink has fully dried, firmly scratch the print with a fingernail to check for peeling; second, color verification—print a test image on the selected media that includes solid yellow blocks and green gradient areas to confirm that the yellow brightness and its interaction with other colors meet expectations.

FAQs:

Yellow ink plays a unique role in four-color printing, and there are several specific considerations to keep in mind during use.

Yellow ink doesn’t look very prominent. How important is it in actual printing?

It is absolutely critical, though its role is often “invisible.” Yellow is one of the CMYK base colors, and almost all images containing green, orange, brown, and skin tones rely on its contribution. Simply put, yellow directly determines the brightness and natural appearance of these mixed colors. If the yellow is inaccurate or lacks brightness, the entire image can easily look dull, grayish, or “dirty.”

When printing large green landscape images, the green doesn’t look vivid enough. Could this be related to the yellow ink?

Very likely. Bright green is created by even and sufficient overprinting of cyan (C) and yellow (Y). If the green appears dark or muted, in addition to checking the cyan channel, you should carefully confirm that the yellow nozzles are completely unobstructed and that the ink itself has not degraded due to long-term storage. A practical tip is to print a standalone yellow gradient test strip—from light to dark—before printing. Check whether the transitions are smooth, without banding or color breaks. This helps determine whether the yellow channel is performing optimally.

Will yellow graphics on outdoor adhesive media fade to white over time?

High-quality mild-solvent yellow inks slow this process by incorporating UV inhibitors, but yellow is indeed one of the more UV-sensitive colors. Fading usually does not turn directly to white; instead, brightness gradually decreases, making the color appear “washed out” or aged. To extend service life, in addition to choosing weather-resistant ink, consider avoiding very large, solid areas of pure yellow in long-term outdoor designs. Introducing subtle textures or gentle gradients can visually reduce the impact of potential fading.

Yellow ink seems to be consumed more slowly than cyan and magenta. Is this normal?

Yes, this is quite common. In most commercial advertising and natural landscape images, areas requiring highly saturated yellow as a dominant color are relatively fewer than those using cyan, magenta, and black. As a result, yellow ink typically has the slowest consumption rate in standard CMYK printing. You can use this as a reference when planning consumables inventory. A rough estimated consumption ratio for CMYK is often around Y : M : C : K = 0.7 : 1 : 1 : 1.2, though the actual ratio depends on your specific application mix.

When printing light skin tones or smooth gradients, the yellow channel sometimes shows graininess. How can this be improved?

This issue is often related to print resolution and ink dispersion. You can try two adjustments:

In the RIP software or printer driver, switch the print mode from “Speed” to “Quality” to increase the number of passes, allowing yellow dots to be distributed more finely;

Check and ensure that the media coating is uniform, as low-quality or unevenly coated media can significantly affect smoothness in light-color areas. If the issue persists, testing with a different roll or batch of media for comparison is recommended.

If I want to mix a gold or warm orange spot color using CMYK inks, how should yellow be used?

Yellow is the absolute core component when mixing these colors. For a warm orange, yellow typically serves as the base, with a small amount of magenta (M) added. The key is to start light and build up gradually. It is recommended to simulate this in software first—for example, begin with 100% yellow, then add magenta in increments of about 5%, printing samples for comparison until the desired orange tone is achieved. Mixing a gold color is more complex and may require a combination of yellow, a small amount of magenta, and a very tiny amount of black. This places higher demands on hue stability and overprint accuracy, so physical proofing is essential.

Compatible Printers & Printhead Support

Printhead Series	Model	Typical Applications
Epson Series	XP600 / DX5 / DX7 / 5113 / 4720 / I3200	Entry-level and high-speed industrial eco-solvent printers
Mimaki / Roland Series	JV3 / JV5 / RS540/640 / SJ series	Compatible with Mimaki and Roland eco-solvent models